One: The Forms, Two: The Plural Tense, is a combination of art works which look into contemporary forms of relating, theoretical trauma, part/whole relationships, change in time and duration. These notions will be explored through number of videos installations and physical art objects. There will be two bodies of artworks consisting of different parts that constantly refer to each other and the entirety. Lanie Chalmers attempts to analyze the shaping of unstable identities and Sona Safaei studies the relationship between parts of an incomplete whole questioning how existing parts are related to each other.
Lanie Chalmers & Sona Safaei
Opening: [March 8, 2013] 7 pm- 10 pm
Exhibition dates: [March 7 – 17, 2013]
Hours of Operation:
[Mon – Wed by appointment]
[Thurs – Sat 12-6pm]
NARWHAL Art Projects
2988 Dundas Street West
Toronto, Ontario M6P 1Z4
Supported by OCAD University
Programmed by Shahpour Pouyan (NYC) and Amirali Ghasemi (TEHRAN) from Parkingallery’s video archive “Video-therapy, Session one : Recovery” is an hour long video program which will be played in loop. The program features works by international artists living in Iran, United States, France, Netherlands, Finland, Germany, Malaysia and India .
Amirali Mohebbinejad’s My Calm Town is a an experimental film realized in 2008.
It addresses a global issue, how the media can project certain images, distorting them to cast shadows of conflict, terror and the threat of war. Incidents which are subject to happen anywhere in world, whenever tensions are needed to arise. The moving images are appropriated from high definition footages from residential villas in an unknown city suburbs in Latin America, shot by a cameraman which was sent there by the commission of an Iranian mega construction company. The brief was to shoot beautiful images which later can be shown to the engineers whom are being sent by the company, encouraging them to live and work in bilateral projects overseas. Mohebbinejad created a contradictory soundscape for these footages, while giving them a 8mm old movie look. Static and peaceful frames possibly shot from a tripod where actually not much happening in them.
[this is about] Magnifying the contrast between real events and the deceiving, beautified and distorted output of reality, given by the media, by proposing contrast between sound and image.
This is about reproducing the reality and representing it as an original.
This is about not having trust on media.
This is to question the “Truth”.
INVISIBLE PRESENT at OSU, COLUMBUS
Curator: Amirali Ghasemi
Please join us on Monday, October 29th to watch experimental video works from Iran. Invisible present is an ongoing curatorial project by Parkingallery Projects -Tehran, curated by Amirali Ghasemi. An evolving video program which transforms & manifest itself in various formats from screenings, collaborations, talks and installations wherever it roams. The invisible present tries to be a small introduction of a vibrant new wave in Iranian video art scene, and to highlight the use of various disciplines and different medias, from experimental films to animations and from performance to photography.
Artists included in Invisible Present, Columbus are Saba Alizadeh | Golnaz Esmaili | Hadi Fallahpisheh | Omid Hashemi | Anahita Hekmat | Zeynab Izadyar | Allahyar Najafi | Shady Noyani | Amirali Mohebbinejad | Ali Momeni | Golrokh Nafisi | Tara Najd Ahmadi | Ramin Rahimi | Sona Safaei | Bahar Samadi | Zeinab Shahidi Marnani
The program has been shown in cultural Institutions and different cities in Brazil as a part of the exhibition Iranian Pulse and now is on tour in galleries & experimental spaces in North America. Invisible Present’s screening at Ohio State University is co- sponsored by Department of Art, Middle East Studies Department and Near Eastern Languages and Cultures Department.
Poster designed by Arash Khosronejad
Time: 6:45 pm – 8:15 pm
Hagerty Hall (Room 180)
1775 College Rd
Columbus, OH 43210
THE INVISIBLE PRESENT – curated by Amirali Ghasemi – Parkingallery Projects, Tehran
with a special performance by musical guest, Cookie Tongue
Friday Oct. 5th, 2012 – 8 pm
$5 @ door
Artists’ Television Access
992 Valencia Street
San Francisco, CA 94110
The Invisible Present is an ongoing screening program selected from Parkingallery project’s video archive, The Tehran based video archive initiated since 2004 include emerging artists from Iran and elsewhere. The series is conceptualized and curated by Amirali Ghasemi of Parkingallery in Tehran and it introduces the vibrant new wave video art scene in Iran. The San Francisco edition of the program highlights the use of various disciplines, such as narrative fiction, documentary, experimental, animation, performance and photography. The artists—most of who are younger than 35—work within Iran and across the globe. The Invisible Present sheds light on a generation that can not be plainly defined and is often harshly targeted internationally; a generation which seeks to be present and exercise their significant liberty to experiment, while being invisible to many.
John Cage is one of the most influential artists in various fields of arts in the twentieth and the present century. Who he was, what he has done and his place in art history is no secret to art lovers, although we should mention that the fifth of September 2012(14th Shahrivar 1391) is the centenary of his birthday and a good excuse for events all over the world taking place in his honour. It is also the reason for “John Cage is happening”. This project is based on a book called “Song Books” which was published in 1970.It is a collection of ninety instructions for music, performance, movement, etc. in three volumes. In this book, Cage experiments with various innovative ideas and different objects. The audience of these pieces is as active as the artist in the process of realisation of the artwork while experiencing transformation in the conventional definitions of the functions of everyday elements. At the same time, Cage creates a platform in which the artist is not the predominant creator and the determiner who is obeying ordinary rules but, with attention to the characteristics of the elements in hand, he establishes regulations for creating a specific structure in which the artistic happening occurs. “John Cage is happening” is a collection of 12 performances based on “Song books” created by 18 artists. Some of the performances are based on one piece, some are based on a few and some are inspired by John Cage’s general idea in this book.
Pouya Ehsaei & Amir Rad
Part of Me is performance, part of me is poetry, and part of me is pain, pain that may not have visible symptoms. My part here is to deliver nothing spectacular, but something delicate enough to be rendered in Turbulence mode we are in. There are things that cannot be said aloud — no manifesto can handle the light weight of the message — the message cannot be broadcast nor encoded to be safe; and sound is the void…. The part curated by Amirali Ghasemi includes works by
Mohammad Abbasi, Erfan Abdi, Makan Ashgvari, Ghazaleh Bahiraie, Amir Bastan, Pouya Ehsaei, Golnaz Esmaili, Bahar Fattahi, Arvin H. Kamal, Tala Madani, Mahan Moalemi, Amirali Mohebbinejad, Photomat, Bita Razavi & Jaakko Karhunen, Sona Safaei, Mohsen Saghafi, Ali Samadpour, Mamali Shafahi, Melika Shafahi, Melodie Zad, Zoha Zokaei, and Niloufar Zolfaghari.
Mise en abyme is a stand-in for the void, a figure opening the subjective fissures of national states, and performatively destabilizing positions of power — the “I”s are focused on the potentialities of arousals and upheavals. The program curated by Sandra Skurvida features works conditioned by the aporias of recent social, political, and ideological insurrections around the world and with reflection on Iran:
But not all parts are those of art.As Michael Hardt and Antonio Negri suggested in their recent Declaration, engaged practice“allows usto turn our attention away from the video screens and break the spell the media hold over us. It supports us to get out from under the yoke of the security regime and become invisible to the regime’s all-seeing eye. It also demystifies the structures of representation that cripple our powers of political action.”
Amir Bastan in his Debut Solo Show at parkingallery Projects shares his latest project Worn out mirrors with drawings, photographs and video installation.
The show opened Friday June 8th 2012 and it’s on till Monday 11th. 4-8 pm.
Worn Out Mirrors is a series of works, which is the outcome of a specific phase of time around the question of: to what extend a meaning could be elaborated or expanded?
It explores the definitions of reality, art, and the mental disorder that the artist was getting help with in his personal life. The artist’s psychic struggles is the first thing these series communicates with the viewer. In other words, these series of works were a research to find out about one’s ‘self’ embedded but hidden under his delusions and amalgamated mixed feelings about his being.
THE INVISIBLE PRESENT
Curated by Amirali Ghasemi/Parkingallery Projects, Tehran
The Invisible Present organized by Sanaz Mazinani and presented by Stephen Bulger Gallery, is the first screening of Iranian video art in Toronto. The series which was conceptualized and curated by Amirali Ghasemi of Parkinggallery in Tehran introduces the vibrant new wave video art scene in Iran. This particular program of two forty minute presentations highlights the use of various disciplines, such as narrative fiction, documentary, experimental, animation, performance and photography. The artists—most of whom are younger than 35—work within Iran and across the globe. The Invisible Present sheds light on a generation that can not be plainly defined and is often harshly targeted internationally; a generation which seeks to be present and exercise their significant liberty to experiment, while being invisible to many.
The program will be followed by a Question & Answer period with Curator, AmirAli Ghasemi and artists, Mani Mazinani, Taimaz Moslemian and Sona Safaei.
Coffee-shop Series is a photography based multimedia project by Amirali Ghasemi. it was realized exhibited for the 1st time at Cafe AKS, Tehran, in summer 2005. Then it was shocased as part of IMAGINE ART AFTER project, an online exhibition and exchange curated by Breda Beban (1958-2012). The project published on The Guardian newspaper’s website (link). Later on, the project featured in various shows from New York to New Zealand, followed by a number of high profile publications such as IRANIAN PHOTOGRAPHY NOW Edited by Rose Issa.
Ghasemi is showing the project again in a group show curated by Andrea Fitzpatrick in Toronto which opens tonight in Toronto’s gallery 44. He is currently working on a book which explores different perspectives and various issues around the project. You follow this LINK to listen to an interview with Raha Faridi back in 2005 ( in Persian ), where he speaks about the project at Cafe Aks. To browse the multimedia Program Click here , you are gonna need ADOBE FLASH plugin installed on your browser …
Independent art space for new media | Tehran | Iran